House of Gucci is a highly entertaining combination of comedy, tragedy, and farce, tracing the decline of the Gucci fashion empire from an Italian family business to a global capitalist brand. House of...
No Time to Die is an excellent Bond film. It belongs in the company of Casino Royale and Skyfall and quite self-consciously reaches for the heights of On Her Majesty’s Secret Service, which is arguably...
David Lean’s epic anti-Communist romance Doctor Zhivago (1965) is a great and serious work of art. Doctor Zhivago was initially panned by the critics—probably not because it is a bad film, but because...
Brad Bird is the director of three classic animated films: The Iron Giant (1999), The Incredibles (2004), and Ratatouille (2007), as well as the blockbuster sequel The Incredibles 2 (2018). The Incredibles...
Not every Merchant-Ivory film is a visually lush period drama based on novels by prestigious writers like E. M. Forster and Henry James, but the most memorable ones are, including The Europeans (1979),...
David Lean’s The Bridge on the River Kwai (1957) is not just a great film, it is a nearly perfect one. Even better, it was recognized as such from the start by virtually everyone. The critics lionized...
David Lean (1908–1991) directed sixteen movies, fully half of them classics, including three of the greatest films ever made: The Bridge on the River Kwai (1957), Doctor Zhivago (1965), and, greatest...
Over the years, I caught bits and pieces of John Milius’ 1982 movie Conan the Barbarian—starring Arnold Schwarzenegger as the big lug himself—on cable TV. But I was never tempted to watch...
Michael Powell (1905–1990) is one of the tragic geniuses of film: a genius because he is one of the most visually dazzling directors in the history of cinema, tragic because he too often he wasted...
The Searchers (1956) has been acclaimed not just as one of John Ford’s greatest films, and not just as one of the greatest Westerns, but as one of the greatest films of all time. This praise is all...
For years now, readers have been urging me to review Stanley Kubrick’s A Clockwork Orange (1971), which adapts Anthony Burgess’ 1962 novel of the same name. I have resisted, because although...
John Ford’s last great film The Man Who Shot Liberty Valance (1962) enjoys the status of a classic. I find it a deeply flawed, grating, and often ridiculous film that is nonetheless redeemed both...
Director Tony Kaye’s anti-skinhead morality tale American History X (1998) is proof that propaganda is far from an exact science. Just as Stanley Kubrick’s Full Metal Jacket caused a surge...
Dirty Harry (1971) is a compelling neo-noir thriller about San Francisco Police Inspector Harry Callahan (Clint Eastwood), who is increasingly forced to choose between liberal legal norms and bringing...
Dirty Harry (1971), directed by Don Siegel and starring Clint Eastwood as San Francisco Police Inspector Harry Callahan, is a classic of Right-wing cinema. Dirty Harry was hugely popular with moviegoers,...
David Lynch’s second feature film, The Elephant Man (1980), is one of his finest works. In many ways, The Elephant Man is Lynch’s most conventional “Hollywood” film. (Dune too is...
It began with Dylann Roof. Since then, the Molotov cocktail of autism, inceldom (involuntary celibacy), gallantry, vengeance, and mass murder has exploded with such regularity that I keep dusting off a...
Ingmar Bergman’s Fanny and Alexander (1982) is one of his finest works. Fanny and Alexander runs 312 minutes—more than five hours. Bergman cut it down to a 188-minute version for theatrical...
Withnail & I (1987) is a masterpiece of British dark-comic satire written and directed by actor, novelist, and screenwriter Bruce Robinson, who went on to write and direct How to Get Ahead in Advertising...
David Lynch’s 1992 movie Twin Peaks: Fire Walk with Me is his prequel to the Twin Peaks series, which ran on ABC from 1990 to 1991. Fire Walk with Me was a flop with critics and moviegoers, except...
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