The Amazing Spider-Man (2012): What You Missed

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“With great revenue comes great propaganda.”

I’ve forgotten how many Spider-Mans we are into reboots, but the 2012 Andrew Garfield and Emma Stone installment seems curiously relevant now, given the theme of mutating man I’ve been covering. Back to our Salk and Koestler analyses, we’ve chronicled the attempt of the technocratic elite to intentionally engineer, experiment and mutate man to become post-human. The desire to “steer” evolution is really a fool’s game and only as legitimate as the notion of evolution itself, which we have seen many times over is nothing more than a modern fairy tale version of a Greek myth. Indeed, Hollywood films are mainly the reason most people believe in evolutionary dogma.

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