Jack and Annie found each other on the ground, staring in the others eyes, as adrenaline coursed through their veins. They had just survived the bomb that was on that bus. The immense weight of the feature had finally come to well-earned relief. Coincidentally, that same year, Dove and Gaerity played an intense game of cat and mouse, grimacing at each other between clever edits and quick action. The suspense of the bomb going off was effective. Dormant and foreboding. Twenty-eight years later, we have another example.
Wallace Reed and Orlando Friar find themselves in a similarly precarious situation. Hacker ingenuity is required to bring us into the 21st century. Some familial themes are tied to the leads. Computers and bombs are suddenly a complimentary pairing, such as vehicles and incendiaries...